Pierre Alechinsky’s Gong drawing from the Metropolitan Museum of Art in New York presents an air of coldness with the dominating, deliberate use of the primary pigment blue which heavily occupies the space. However, the subtle value of white hues gently, harmoniously swirling about reveals a warmth from the asymmetrical graduation. The unity of the composition with its open lines which promote a softness, almost a feminine quality as well as movement and rhythm to the presentational immediacy orchestrates a sensa of permeating sound arising from a barren atmosphere. The emotional state achieved in participation is one of serenity, calmness, and tranquility. The forebodingness of the backdrop and the intense chaotic spirals transform into inquisitive eyes lurking in the distance appearing to be drawn into the musical ambiance surrounding them in a cold, dark, and dreary night. The elements create a melodious cohesiveness to the drawing.
The feelings Pierre Alechinsky’s Gong evoked inside of me were of an isolating, deeply powerful nature, however, in that solitude freedom was abundant. It attempts, I believe, to reveal the beauty of tranquility found in spirituality. I was drawn to Pierre Alcheinsky’s Gong at first sight. While I participated, I felt transported to the dead of winter in the middle of the night. The illuminating features that engage and capture the eyes are that of a moon and a woman. On the right, she is joyfully embracing the night in the lunar glow which is above her on the left side. She is celebrating this unique moment by dancing with nature. While off in the distance unbeknownst to her are the creatures of the night, perhaps, wolves and owls curiously observing, with envy and bewilderment, the mysteriously enticing scene.
Insights 